Paris Fall 2010 Couture Fashion Week

It’s couture time, bitches. Let’s go collection by collection, since only a handful of couture designers showed at Paris Fashion Week, and even less are worth discussing.

Underwhelming: Jean Paul Gaultier

Dita Von Teese in Jean Paul Gaultier Fall 2010 Couture

This was by far my favorite look in Jean Paul Gaultier’s collection, although it’s certainly not perfect. But to me, it was one of the only pieces in his collection that felt daring and original. The first six looks were boring, and the rest of the collection tries to be dark and futuristic, but doesn’t really achieve much in the way of high fashion. Dita Von Teese making a guest appearance in the show was a nice touch, and only a burlesque star (or a diehard Rocky Horror fan) would have a reason to wear this skeleton-corset, but beyond that, the show was largely a disappointment.

Jean Paul Gaultier Fall 2010 Couture

This look at least felt like couture to me. A complex and fresh design, with no accessory overlooked. Let’s not forget that wearability is not the primary concern of couture designers – that’s why these aren’t Ready-To-Wear. They’re meant for the runway, more like art than clothing. And in that respect, I think this is a stunning dress. It has a subtle nod to flappers of the 1920s, but it feels modern and original. And the fishnets are a perfect touch.

Jean Paul Gaultier Fall 2010 Couture

Couture is about vision. It’s about intricacy and impeccable design and clothes that look like they took months to make, because they did. I think that was wear Gaultier failed – he focused on the gimmicks and the showmanship instead of the actual design elements. It’s all great to have burlesque stars and violins and sky-high, gravity-defying hairstyles, but so many of the actual designs were just haphazard draping. And of course there is a fine art to draping, but nothing in the way Gaultier used draping felt new or beautiful or unique. Instead it felt messy, repetitive, and kind of boring.

Hit or Miss: Valentino

 

Many of the individual looks in Valentino’s collection were exquisite, like the bow-adorned cocktail dress and matching full-length gloves pictured above. A modern twist on the petticoats of yore, I fell in love with this dress and a few others in the collection.

Valentino Fall 2010 Couture

Another beautiful dress, but with a nearly identical concept: Put a lot of bows and a simple twist on a normal dress. What struck me as bothersome about the collection over all is how similar so many of the looks were. Of course cohesion is important in a collection, but Valentino showed the same outfit in two different colors; two nearly identical outfits, just with different hemlines; and the same outfit in two different fabrics (but the same colors). That was too much for me to take – the effect of a simple but fabulous black dress is not enhanced by seeing the white version of it ten seconds later. It just felt like a waste of fabric, at least in a couture show. It’s about customization and each piece being different from the next, not a gown in several colors that’s marketable or ready-to-wear.

Valentino Fall 2010 Couture

It’s similar to the first Valentino dress, but not so similar that it feels derivative, like so many of the looks did. Instead, it’s a couture bridal gown fit for a queen. The bows on the shoes and the hands of the gloves are exquisite, and bring an element of softness to the architectural tiers of the gown. I’m glad bows are in, and I love these three dresses more than words, but Valentino’s collection suffered from a lack of variety and diversity.

Chanel and the Art of Influence

 

 

My favorite look of the Chanel collection. Perfect handiwork. An almost obsessive attention to detail. And those Wonder Woman-inspired wrist cuffs are exquisite. It looks as expensive as I’m sure it is, but I love the rough hemline, bringing a bit of grittiness into an angelic dress.

Chanel Fall 2010 Couture

But the last few collections of Chanel and other designers such as Marc Jacobs have been plagued by what I like to call The Mormon Skirt Dilemma. I have no idea why the runway is full of skirts that stop at this awkward place, but I think they’re unflattering, unnatural, and throw off the proportions of the entire outfit. The Mormon Skirt Dilemma, plus the use of heavy tweet, gave most of the models the appearance of little girls wearing Twilight-inspired versions of their grandmothers’ clothes. In fact, much of the collection felt heavy and dark, with the occasional burst of lightness like the first Chanel outfit shown above. Not that heavy and dark is necessarily bad, but Chanel went for the same effect in the Fall 2010 RTW collection, so it does get a bit wearing after awhile.

Chanel Fall 2010 Couture

I love the way the beadwork over the lace feels like armor. It was certainly a collection for a haute couture Joan of Arc woman. But that lace skirt is just breathtaking, and the boots with it are completely badass. Of course, it doesn’t hurt to have legs for days to pull off a look like that. But I would have loved to see more looks that stepped outside the tweed-suits-and-wool-coats box of Chanel.

Armani Privé: It’s All About the Fit

 

I think the Armani Privé collection felt more like a nearly complete RTW collection than anything haute couture, but this suit immediately leaped out at me as a favorite. The shimmery white tights and the silk ivory blouse are soft, sweet, and sexy. And we know that anything studded, or anything that looks studded, is super-trendy right now, as evidenced by Dakota Fanning’s fierce shoes. And the fit of this suit is just incredible.

Armani Privé Fall 2010 Couture

But what, I ask you, is couture about this? Where is the detail, the handiwork, the originality? This is a badly pressed sheet, poorly wrapped around a starving girl. This has no element of design, let alone couture. And is it just me, or has this model spent a little too much time in the pool? Those ends look green with chlorine.

Armani Privé Fall 2010 Couture

And zoom! Back to fabulous. The perfect coat. Simple and elegant, but with fantastic design aspects. That huge button clasp, the asymmetry, the curves of the hem, and of course the draping over her left shoulder take this coat to new heights.

Armani Privé Fall 2010 Couture

Fit, fit, fit, Armani! What is going on in the bust of this dress? We’re mere moments away from seeing her right nipple. The dress looks like it’s inches away from her chest and the sides don’t look even. I’m just not sure how something like this actually made it onto the runway. I want to run up to her with a cushion full of pins, yank that dress up three inches, and pin it into place.

Honorable Mention: Elie Saab

 

Elie Saab’s collection was a wonderful combination of the intrigue of couture and the wearability of red-carpet fashion. I have no least favorite looks, but just one negative comment towards the collection as a whole: it did seem a bit disjointed. The individual looks seemed detached from each other; they were similar to the looks before or after, but just a few models later, you couldn’t believe you were at the same show. Cohesion is a difficult thing to achieve, and I think that was Elie Saab’s main weakness in this otherwise strong collection.

Elie Saab Fall 2010 Couture

Now that is a print. It looks tie-dyed, paint-splattered, it moves like liquid, and it feels like fire. The skirt is designed in a way that makes it flow fabulously, I love the rouching on the bodice, and the single-sleeve style, which I usually dislike, is beautiful.

Elie Saab Fall 2010 Couture

And this is couture. It looks like it took millions of painstaking hours of sewing, beading, and draping to accomplish such a complex and divine gown. This is what I hope Kate Middleton will wear to marry Prince William. A gown fit for a princess.

The Winner: Christian Dior

Christian Dior Fall 2010 Couture

I beg of you – don’t take my word on this one. See for yourself how over-the-top, inspiring, and beautiful Christian Dior’s collection is. It may be a fall collection, but it’s obvious that spring has sprung for Christian Dior. Like this neon dress that struts the line between yellow and green, brightness is in nearly every look. This dress feels fresh and unique, but it’s also something that you could see easily adapted for the red carpet. (Though only Lady Gaga would wear the head piece.)

Christian Dior Fall 2010 Couture

The only thing I dislike about these entire collection is those damn rubber gloves. I’ve seen them on runways before, and whenever they’re in orange or yellow, it just feels like the woman is strutting down the runway to wash some dishes or operate on someone. But I love, love, love the beaded bodice and voluminous skirt – not unique in any structural way, but glamorous and exquisite regardless.

Christian Dior Fall 2010 Couture

You have to love Dior for the way the avant-garde pops into these looks. The way those flowers cascade down the skirt, which would be gorgeous even without them, just strikes me as incredibly romantic. And the colors of those flowers! This is the one time I like the use of the gloves, because that purple color is just another glorious surprise. That iced robin’s-egg-blue color of the sweater is phenomenal, as is the collar. I’m not sure what’s happening with that paper bag belt/sash/bow, but it keeps me guessing, and ultimately leaves me wanting more.

Christian Dior Fall 2010 Couture

Sold.

Check the Democracy Diva later tonight for today’s Diva’s Choice – one piece of overpriced fabulousness every day!

Midsummer Red Carpet Recap

Forgive me, poodles. I just moved to a new place and just got internet today, so this Diva has not had much time for blogging. But it’s Fashion Week in gay Par-ee, so we’ve got some red carpet looks to catch up on before we hit the big time. Let’s dive in.

Repeat Winner: Prodigy Edition

Dakota Fanning in Elie Saab

Head-to-toe perfection, as per usual. I particularly love the natural makeup; too many young starlets, even if they dress well, tend to age themselves ten years with heavy makeup, but this styling lets Dakota’s youth and beauty shine. The dress is obviously to die for, but I think we need a close-up on those shoes:

Dakota Fanning in Christian Louboutin shoes

Those sexy studded shoes just jumped to the top of my MUST HAVE list. (By “must have,” I of course mean “could not dream of affording.”) This outfit is the textbook definition of gritty-meets-pretty – the girl’s hair, skin, and dress are practically glowing with angelic beauty, but she throws on her studded Loubs and suddenly it’s a whole different ball game. (That’s the first and last sports reference you’ll find on this blog, kittens.)

Fugly Beyond Her Years

Annalynne McCord in Nicole Miller

I’d like you all to guess how old this woman is. If I was in a bad mood, I’d probably guess 45; at my most forgiving, I’d say mid-thirties.

SHE’S TWENTY-TWO. This bitch is MY age and already looks like she’s been chasing her pack-a-day habit with a bottle of gin every night for twenty years. Let’s forget the fact that she broke one of the most important Diva Commandments: Thou shalt wear your actual dress size, not the dress size you aim to be. Other bloggers and fashion experts have wisely said, “Wear a size bigger, and you’ll look a size smaller.” Certainly, this unforgivingly tight dress supports that claim. If only it supported McCord’s breasts.

Fun fact: I wikipedia-ed McCord (to find out her age), and my boyfriend Nate looked at her picture and said, “That looks like Carrot Top.” I rest my case.

Best Nobody

Clemence Poesy in vintage Chanel

InStyle informs me that Clemence Poesy, who has probably the worst stage name I’ve ever heard, is one of the new stars of Gossip Girl. I stopped watching that show when the guy from Next to Normal left the girl from The Sisterhood of the Traveling Pants for dead in a car crash. (I know their names, it’s just way more fun to refer to them that way.) Anyway, she needs her roots touched up, and I’m not sure her face is quite beautiful enough to be going for that fresh-faced, natural thing that Dakota Fanning nailed above, but this dress is amazing. It’s not exactly hard to wear a perfect, simple vintage Chanel dress, but she kept things neat and simple with the accessories, and I respect her for that. Even if she has a dumbass name.

[Diva’s Note: It just came to my attention (thanks, Thu) that this girl actually played Fleur in the Harry Potter movies! Something I totally should have known, but what can I do, kittens? But the point is, maybe it’s not a dumbass name – it’s really just that she’s French, and has a French name, and I’m an idiot.]

First Lady Fashion

Michelle Obama in Azzedine Alaïa

Too bad for the Canadian Prime Minister and his wife – they’d look pretty cute, if they weren’t standing next to such a fabulous looking couple. Sorry, Canada, but you lose even in this photo, as it is clear that Americans have infinitely better fashion sense. Our First Lady looks truly amazing here – we all know it’s not easy to wear a white dress outside your wedding day, but Michelle not only nails it, but pairs it with great shoes, a fabulous bracelet, and her most flattering hairstyle to date. Not to mention that her arms, legs, and yes, FLOTUS cleavage look simply spectacular.

Repeat Offender

Jada Pinkett Smith

Well. Everything about this is terrible. Actually, to be fair, that tuxedo jacket would be fierce with a t-shirt and a pair of skinny jeans, but this… this is worse than Jada’s Tony awards mishap. I just don’t really understand what’s happening on top of her head, but I know it’s giving me a migraine.

Risks That Pay Off

Claire Danes in Zac Posen

Kudos to Claire Danes – this is definitely not a dress that the average woman, or even the average Hollywood woman, can pull off. But I think she’s absolutely glowing in this fabulous Zac Posen mixed print. It could have come off as costumey or even clownish, but Claire nails it, proving that a great smile makes every outfit even more fabulous.

Underage Stripper of the Week

Taylor Momsen

The photo on the left, though it should disturb me, unfortunately is not a surprise. It’s downright tame for Momsen, and actually would make a pretty fantastic Rocky Horror costume.

But the shoes, my friends. The shoes. Clear platform shoes. With actually dollar bills in them. AND THE SHOES SAY “TIPS” ON THEM. I mean, the girl is sixteen – shouldn’t that be illegal?

Best and Worst: Most Surprising Makeovers

Kristen Stewart in Herve Leger by Max Azria

I never dreamed I would say this, but K-Stew looks pretty fucking awesome right now. The new hair color is doing wonders for her. Usually when someone dyes their hair an entirely new color, it looks completely unnatural, but this feels so much more natural than her nearly-black hair did. The highlights frame her face beautifully, and I think the short hair is working for her as well. Not to mention the fact that she’s wearing a killer dress and fabulous heels (Brian Atwood shoes, to be exact). For once, her pale skin looks like beautiful porcelain instead of deathly ill. And those legs? Goodbye, knobbly knees; hello, supermodel. (Well, not quite. But in the immortal words of Whitney Fetterhoff, she’s got one hell of a set of getaway sticks.) And although she’s not smiling in this picture, she also doesn’t look like she wants to kill anyone, and has clearly been making an effort to not look so fucking miserable lately. I don’t know if the Eclipse producers picked a hot new stylist for her to drum up even more press about the film, but big hugs to whoever made this look happen. Let’s hope it stays.

Heidi Klum

Again, something I thought I’d never say: Heidi Klum isn’t looking so great, guys. Her new haircut fully sucks. It’s like if a scissor-happy kindergartener went to town on Anna Wintour’s bob. I guess the choppiness of it is a look, but it just looks sloppy, not chic. And it ages her about a decade – as does the skirt, which could be worn during Klum’s gynecologist appointment, as it provides such easy access. Heidi is a gorgeous woman with killer legs, but a slit that high does favors to absolutely no one.

Best Street Fashion: Diva’s Pick

Drew Barrymore

Recently, someone asked me what I’d wear every day if I could wear anything. I told them it was cocktail dresses with sneakers, but clearly I was wrong. Because this, ladies and gentlemen, is exactly what I would wear to walk around the city. A vintage sundress, hipster sunglasses, my signature messy bun, and the perfect pair of heels. I’ve never seen such effortless fashion before – I actually can’t stop looking at this picture. I think the lipstick matching the shoes is what really seals the deal for me. Never-ending kudos to Drew for wearing this casually around the West Village. I envy you.

Met Gala Red Carpet: Best and Worst

I hope you’ve had your Sunday afternoon coffee, because we’ve got a LOT of fabulous and even more fugly to get through. Fashion’s most glamorous red carpet event, the Met Gala, was this week, so let’s dive in.

Bitches We Hate in Gowns We Love

Jennifer Lopez in Zuhair Murad Haute Couture

Let me preface this by saying: I hate Jennifer Lopez. She’s a decent dancer, an unimpressive singer, and a completely untalented actress, and yet somehow, her name is still occasionally used in the same sentence as “triple threat.” I don’t even think she qualifies as a single threat. I hate almost everything she wears, I think her Peter Pan syndrome and shameless fame-whoring are almost as bad as Mariah Carey’s, and I’m like 80% sure her husband is gay.

Regardless, I think she looks absolutely perfect here. Dramatic and flawless hair and makeup. The gown is near-perfect – I could do without the jewels decorating the bust line, but the color and fit are divine. So, J.Lo, I guess you’re still allowed to exist, much as I loathe you, because at least you know how to wear couture when it counts.

Ladies We Love in Outfits We Loathe

 

Tina Fey is, above all else, a writer. She may be a hugely successful, hilariously funny and beautiful actress and producer, but when she shows up on the red carpet wearing something this disastrous, I feel the need to remind the universe that she is a writer. She got into this business so she could sit around a table with a bunch of overweight Jewish guys and make the world laugh, not so that she could strut her stuff on a red carpet. So I refuse to hold Tina responsible for this ensemble – it is not her job to look great. It is her job to pay people to make her look great.

The people who have failed miserably are Team Tina – her stylist, and whoever else saw her between the time she got dressed and the time she got out of her limo at this event. Because ANYBODY whose job it is to know fashion should know better than to put Ms. Liz Lemon, or anyone else, in this ensemble, especially at this event. The makeup is too dramatic for her features, SHE’S WEARING A FUCKING JUMPSUIT TO THE MOST FORMAL RED CARPET EVENT OF THE YEAR, and it’s not even a well-made jumpsuit. I’d yell at Rachel Bilson for wearing this to lunch on a Tuesday. Tina’s Gays, you better get your shit together. You are taking one of the most inspirational women alive and making the world laugh at her instead of with her.

Best Dressed Person We’ve Never Heard Of

 

So I had to wikipedia Maggie Grace to find out that she is an actress from Lost. Well, kudos, Ms. Grace. For you are incredibly well-dressed for someone so irrelevant. Hair and makeup are beautiful and elegant – the headband is cute and doesn’t dress down the look too much. The bottom of the gown is borderline mermaid, and I loathe mermaid gowns with all my soul, but it flares out in a beautiful instead of unnatural and awkward-looking way. Great color, great fit, and a fabulous design. Good work, Maggie.

Mad Men‘s Women Gone Mad

 

I just recently started watching Mad Men, and already I can tell you with certainty that Joan Holloway is, under normal circumstances, the sexiest woman alive. She, and Ms. Hendricks, who plays her, has red hair I’d kill for, a gorgeous face, and possibly the greatest rack in Hollywood history. But she was the textbook definition of a hot disaster at this event. Let’s start at the top and work our way down.

The hair is sloppy. This event is not the time or place to be lazy when it comes to hair. The makeup was clearly done by a nearly blind prostitute. There is something resembling a beaver resting atop her right shoulder, and her right elbow is apparently camera shy, as it feels the need to be hidden by a giant and unnecessary piece of fabric. I think the length is awkward, the color is terrible, the gown is boring, and the bust is offensive. Are designers and stylists so used to dressing anorexic, size-zero Mary Kates and Ashleys that they can’t correctly fit a bust on a woman with real tits? Sure, Christina is much more boobalicious than the average gal, but it’s not like she wears a size H bra or something. If you can’t deal with real tits, then leave Christina to the real professionals who know how to handle her fabulous figure.

January Jones in Yves Saint Laurent

Christina Hendricks may be the sexiest woman alive, but Betty Draper (aka January Jones) is the most classically beautiful. She is the ultimate American woman, so I’d love to know what kind of crack she was smoking when she decided to wear this to the Met Gala. The makeup is truly terrible, as is the hair (you can’t really tell here, but from the side, she looks like an alien). And this dress looks like an old lady’s couch on acid. January, every single thing about your appearance is virtually perfect. You are truly blessed. And it insults us mere mortals to see a woman as goddess-like as yourself dressing up like a fucking idiot. Get your shit together, January.

Most Surprisingly High Fashion

 

When I hear “Mila Kunis,” I think a few different things. Hot… Dumb… I guess that’s basically it. I certainly don’t think “high fashion” or “risk taker” or “glamorous fashion icon,” but I think she did a damn good job of proving me wrong. A lot of critics hated this gown, but I think it’s simply marvelous. It’s gorgeous and interesting, and it’s definitely risky and difficult to wear. I remember loving this dress in Vera Wang’s collection during New York Fashion Week, and I’m impressed that someone as generally boring as Mila Kunis decided to test the limits and wear something so fierce. Kudos, Kunis. I think you nailed it.

Jessica Szohr in Versace

Jessica Szohr is another person I have very little to say about ordinarily, usually because I still have no idea how to pronounce her last name. All I know about her is that she’s racially ambiguous and plays the most boring character ever on Gossip Girl. But I think she really made an effort with this Versace gown. It’s not something I would have chosen, but it’s still beautiful and interesting, and I think it’s quite a step up from the boring/ugly dresses that most young starlets (especially the GG cast) tend to wear. And, holy hell, this bitch can POSE like she’s at the end of the Paris Fashion Week runway! Get it, V. Keep up the good work.

Worst Dressed: Pastel Saloon Edition

 

 

Vera Farmiga in Sophie Theallet

As far as I can tell, Ms. Dawson and Ms. Farminga are both currently employed as saloon whores in a barely settled western territory in the 1840s. And they decided to dye their gowns for Easter. I can’t say they look anything other than uber-fugly, but at least they’re dressed for the same event. Also, Rosario? Lay off the spray tan. You’re looking quite orange lately.

Women We Worship in Dresses We Dig

 

I’ll admit it. I have a total girl crush on Claire Danes. She can do as many bad movies as Jennifer Aniston, but I will always think of My So-Called Life and Romeo + Juliet and be unable to have anything but undying devotion for her. And I think she looks perfectly fabulous here. Not exactly daring, but definitely a beautiful gown worthy of a fabulous woman at a glamorous event.

Gag-Worthy Girls in Loathable Looks

 

Malin Akerman is one of the least talented actresses in Hollywood. Her most memorable roles are showing her tits in Harold and Kumar and playing Katherine Heigl’s cunty little sister in the dreadful 27 Dresses, a movie so awful that even I can’t watch it without feeling embarrassed. And I watch Spiceworld. She is truly awful to watch and listen to, and though her makeup looks good here, I think she’s very unattractive. This dress looks too casual for this event, and I think it’s cheap and tacky-looking. It’s not helped by her hair, which clearly was peroxided half to death a few weeks ago, and it looks as if she hasn’t washed it since. Malin, I hate your name, your face, your acting “skills,” and now I hate your fashion sense as well. Time for you to disappear.

Completely Gratuitous

 

In the immortal words of Van Halen, Got it bad, got it bad, got it bad, I’m hot for teacher! Those eyes, that scruff… Mr. Schue was pure deliciousness at the Met Gala.

Victims of Fashion and Botched Botox

 

I’m fairly certain this is the worst Padma Lakshmi has ever looked. She’s ordinarily stunning, and my roommate Roxie met her once and said she’s just as beautiful in person. Not that you’d ever know it from this picture. This gown is awful – trashy, unoriginal, poorly made, wrinkled, and far too tight. To make matters worse, Padma’s face looks suspiciously awkward. Zoom in on that face – I think it’s more than just a bad moment. I think the new mommy tried to get rid of some new wrinkles and it didn’t go quite as well as she wanted. All in all, this was one of the worst looks of the night.

Fashion Icon Favorites

 

This is one starlet who never ceases to amaze me. I think Ms. Hermione Granger herself is incredibly beautiful. She’s impeccably stylish, nearly always looks fantastic, and is the role model for intelligent girls who happen to like looking good too. And kudos to her for wearing a white gown (before Memorial Day, no less) and somehow not looking bridal. I love the super-high slit on her petite frame, and although we see draped gowns every day on the red carpet, I think this draping is particularly unique and beautiful. She always manages to look casually fabulous but not under-dressed, glamorous and elegant but never matronly. And now I’m just excited for the next Harry Potter movie to come out.

Chloe Sevigny in Proenza Schouler

Our favorite sister-wife got a lot of flack for this outfit, but I think she looks killer. Ms. Sevigny loves to push the fashion envelope and surprise us with her indie-hipster style. And I think this dress says indie-chic gone glam. Of course it’s casual, but she’s not exactly the floor-length glittery Vera Wang kind of girl. Her shoes are epic, the color of the dress is beautiful, and I love the little bit of navy crinoline poking out from under the fabulous teal floral dress. The long sleeves, the sheerness, the high neck, and the open back (which you can’t see here, but trust me, it exists) all keep this look very intriguing and modern. I do wish she’d brush her hair once in a blue moon, but I suppose that’s the pot calling the kettle black.

Worst Dressed of the Night (or possibly of all eternity)

We’re going to have to do this one in bullet points, because I’m afraid my head may explode if I try to tackle this whole thing at once.

  • Your Joan Jett film is over. You no longer have an excuse for your hair always looking like shit.
  • Let’s be honest, Kristen. You’re not a beautiful girl. Your head is weirdly shaped, you have beady eyes and thin lips, and you’re definitely the most awkward girl in Hollywood. And that makeup is not doing you any favors. You don’t have the face to wear heavy makeup, so you should steer clear from the smoky eyes and the dark lips.
  • Honey, you’ve worn Chuck Taylors and denim on the red carpet and still looked uncomfortable in your own skin. How the hell do you expect to be able to pull off haute couture – and CHANEL haute couture at that? Wearing Chanel haute couture requires elegance and an aura of confidence that you simply lack. Leave the crinkled, asymmetrical bodices to the professionals, and go back to shopping at Hot Topic.
  • Say it with me: accessorize. A little ugly clutch does not count. No bracelet OR earrings OR necklace? Inexcusable at such a fancy event.
  • I love black nail polish just as much as the next girl, but this is the Met Gala, for crying out loud. Show some damn respect.

Best Dressed

 

I don’t care if people said this gown was too safe, too boring, too princessy, too obvious, whatever. I think Anne Hathaway looked better than every single other person at the Met Gala. Perfect hair, makeup, and jewelry, and that gown is perfect on her. Glam and glitzy, like a true diva should be.

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