Boring was the theme of this particular red carpet event, but that won’t stop this Diva from giving you fascinatingly bitchy commentary! Without further ado, the 2011 Golden Globes.
Glee Does Comic-Con
Heather (Brittany): I’m not loving those bangs; I think her signature Cheerios high ponytail is much more flattering. The outfit is cute enough, if a bit amateurish.
Kevin (Artie): This boy can sing, dance, act, and DRESS. I wish other young actors took the risks that Kevin takes with his wardrobe. The shirt is stunning, the suspenders are adorable, and he looks unique and chic, if a bit over-dressed for Comic-Con. I’m loving it.
Naya (Santana): Can’t go wrong in a cute floral sundress. Effortless and adorable.
Amber (Mercedes): Cute top and sweater, but it’d look a thousand times better without that belt.
Chris (Kurt): He’s a self-professed comic book geek, so I’m glad he’s showing his roots at this event. But I think he could have paired this outfit with something a little more fashion-forward, since he usually dresses incredibly well.
Jenna (Tina): Adorable dress, great hair. And the nude shoes trend is super-hot right now, so kudos for catching on.
Love the Girl, Hate the Dress
Like the Democracy Diva, Anna Kendrick loves her some Marchesa. (The starlet donned Marchesa at the 2010 Golden Globes, at the Eclipse LA premiere, at the Up in the Air Toronto premiere, and more.) Unlike the Diva, Ms. Kendrick doesn’t seem to understand that some Marchesa dresses work far better on the runway than they do on the red carpet. This is one of them.
The lopsided bust, which I’m sure would work fabulously on a 6 foot tall, size zero model, is just unfortunate on Kendrick’s petite frame. The black beading against the blue print isn’t particularly attractive, nor are the proportions of the dress, which make Anna look short and squat instead of long and lean. And those shoes? What drag queen told my girl Fritzy to wear those shoes – especially with that dress? A rookie mistake. And once again, I’d like to remind young Hollywood: If your hair is up and your dress is low-cut, WEAR A NECKLACE. I’m disappointed by her lack of bling. But I do love Anna Kendrick, and I hope she bounces back from this fashion mishap quickly.
The Best and Worst of Biel
I’ve never thought Jessica was as beautiful as most people seem to think she is. Don’t get me wrong, she’s a hottie for sure, but she’s got awfully harsh features and she lacks the poise needed to pull off high fashion gowns. But I’m eating my words from the neck down, because I think she looks incredible here, at the London premiere of The A-Team. I normally don’t support sheer gowns on the red carpet, but I can forgive it because this particular gown is just stunning. It fits her remarkably well, making her waist look tinier and her boobs look bigger – and she had a great figure to begin with! I would’ve done black shoes instead of red, but they’re still a good choice. And let’s hear it for a girl who isn’t afraid to bring out the bling. Loving those bracelets.
Now, the hair is a hot mess. How many times do I have to say this – you can’t go all-out with the dress and skimp on the hair and make-up! That frizzy bedhead is not appropriate for such a beautiful gown. But I still give her props for a remarkable effort.
Well, she’s back to looking stiff and uncomfortable on the red carpet, which is a huge step down. Not that she looked particularly cosy in the Valli gown, but there’s something very cold and unnatural about her in this Versace gown. The gown itself is beautiful, but I just don’t think she’s wearing it well. I think it’s a bit too ornate and vintage-looking for her tastes – she’s very sportswear, Americana, bold colors and simplicity. This gown is anything but. And those shoes were a horrible choice. Whoever invented the teardrop-shaped eyelet peeptoe should obviously be shot. And the silver shoe with the blue dress is very mother-of-the-bride. I’d love to see this dress on Anne Hathaway or another starlet with more traditional, glitzy tastes (and the poise to pull them off), but something about this gown on Jessica just isn’t working for me.
It’s a shame, because she looks so much more at ease here, but she’s wearing a glorified potato sack. That sleeve is simply dreadful – unless your arm is in a sling, there’s really no need for that much fabric on the sleeve. And the dress itself is shapeless and dull, like a poorly-made toga. Those shoes look navy, and even if they’re black, they’re clearly not the right black for that dress. And I hate the way the fabric gathers around her waist – it’s unflattering and downright sloppy. Definitely the worst out of the three.
Now headlining in Vegas: Fergie, the alien warrior princess turned stripper! Oh, Fergie, you can wear whatever the fuck you want, just please stop making music.
Also, it is just me, or does her head seem unnaturally large? Seriously, she looks like a Bratz doll.
Delhi Couture Week 2010
Congrats to Delhi on hosting their first ever couture fashion week! I encourage you to check out Tom & Lorenzo for more pics from the runway show; everything is so beautiful and so different from Western fashion.
This couture gown by Manav Gagwani is simply magnificent. I love that you can feel the Indian influence, but you can also see that the designer was inspired by Italian and French couture as well. Every single fabric used is breathtaking. The glitz and glamour of the shiny, glittering fabrics and lace is almost overwhelming. I love the different colors used – iced periwinkles and lilacs, lavenders and silvers. Everything about this gown screams couture. I look forward to many more Delhi Couture Weeks in the future!
The Rapidly Aging Cameron
I ask because I care: Cameron, what the fuck is happening with your face? This is clearly a bad Botox job or worse – the skin is pulled awfully tight in some places, while other spots appear swollen and puffy. That can’t be intentional, and it doesn’t seem natural, either. But if you’re going to let your face fall to pieces, at least sport a fabulous outfit to detract from your train-wrecked skin. This sad lump of fabric is not doing you any favors. It has no shape, making you look unfortunately bulbous. Sure, you’ve got killer legs, but this outfit hides your bust, waist, and hips, like you’re just a misshapen potato on two legs. Fire your plastic surgeon and your stylist immediately. You might be 37, but you’ve got the potential to look 30, and right now you’re leaning towards 50.
God Bless America
Business chic all the way for Ms. Ferrera! The dress is adorable and professional, flattering and youthful. Though I do need to give her my lecture on NO DARK TOE-NAIL POLISH ON THE RED CARPET. Ugh. The make-up artist was a little heavy-handed, but America looks absolutely radiant, and every professional woman should own a dress like this. Also, that hair is hella sexy.
Oh, Serena. I know your career goals are to bare as much of your tits as possible on every red carpet, but you have broken the two Golden Rules of Public Titty-Baring:
1. Thou shalt not show any part of the nipple. (This includes even the slightest bit of mysterious skin that seems areola-esque.)
2. Thou shalt not neglect the rest of the outfit just because the titties are bared.
That top is so naked, it looks like it must be on backwards. And those pants? Seriously? We’re wearing high-waisted, wrinkled baggy pants now? Because I simply refuse to support that. And what’s with the shoes? The pants cover up the top ankle strap – that’s clearly not a good sign. And the belt was just a mistake. Aren’t belts supposed to like, wrap around you? Not just poke out awkwardly? Though I guess you can use it as a weapon to fight any comic book geeks who can’t stop staring at your almost nipple. Oh, and brush your hair, for God’s sake. And lose the eight different kinds of bracelets, you look like a tween after a shopping spree at Claire’s.
Hello, Peggy! This is by far the best Ms. Moss has ever looked. She donned this glitzy and glamorous dress for the premiere screening of Mad Men‘s season four in Times Square. The hair is absolutely amazing – thank god we’re saying fairwell to Miss Olson’s signature ponytail! The curly bob is totally chic and works wonders for her features. And the dress! The perfect color, a wonderful fit, and a phenomenal choice for Elisabeth. I love the sassy smile on her face, as if she’s thinking, “Bitches, the days of Peggy the ugly ducking are OVER! This is Elisabeth Moss, glamour queen! Bow down!” I’m looking forward to seeing more like this from the adorable Ms. Moss.
Well, kittens, it seems as though all of my dreams have come true. Ryan Murphy announced yesterday that next season of Glee will feature a Rocky Horror-themed episode. As a Rocky expert (I dare you to challenge me on that) and Glee fanatic, this is basically the biggest news in my life right now (sad but true). So without further ado, I present my dream casting for the episode – who I think should sing what song and why. Now, these are not predictions, mainly because I trust my own judgment better than that of Glee‘s producers. I do not expect Glee to always make the right choices; sadly, they have yet to hire me, so clearly they will be ill-equipped to make the proper decisions regarding their Rocky Horror episodes. But should they choose to come to their senses, they need not look any further than the Democracy Diva.
Song: “Science Fiction, Double Feature”
Who should sing it: Brittany and Santana (Heather Morris and Naya Rivera)
Why: A sexy, sultry song fit for a true alto, “Science Fiction, Double Feature” is the opening number in The Rocky Horror Picture Show, actually sung by a man (Richard O’Brien, the film’s creator/resident creeper Riff Raff) but portrayed in the film by the iconic red lips of a woman (the lips belong to Patricia Quinn, who plays Magenta).
The song is basically just a list of sci-fi references, so I think the odds of this making it into the Glee episode are pretty much nil. It doesn’t have the sort of climax that most Glee songs have, nor will it forward the plot in any way. But I think if they arranged it as a sexy duet between our two resident bicurious cheerleaders, it would be unstoppable. Plus, Naya Rivera’s deep rasp is perfect for this number.
Song: “Time Warp”
Who should sing it: Artie (Kevin McHale) as Riff Raff, Kurt (Chris Colfer) as Magenta, Tina (Jenna Ushkowitz) as Columbia
Why: The most famous song from the show, the Time Warp has it all: sex appeal, creepiness, ridiculous dance moves, and lots of trannies running around in tuxedos. Now, I’ve heard that Ryan Murphy announced the Rocky episode of Glee by telling Chris Colfer that he would get the opportunity to live out his dream of singing “Time Warp,” which would presumably mean he’d be singing the part of Riff Raff (or perhaps they’ll re-arrange the song as a solo). But there’s only one man on Glee suited fill Richard O’Brien’s shoes, and that man is Kevin McHale. Though wheelchair-bound Artie would probably be unable to do Riff’s infamous “kick! kick!,” he’s by far the strongest male vocalist on the show (with the exception of Jon Groff, but I’m not sure if he’s returning next season). And he’s the only one who can sing the sort of rock-theatre style that this song demands.
But Kurt as Magenta? In a big ridiculous wig and a French maid’s costume, with a hilariously bad accent? That would be pure perfection. And Tina’s whiny voice is perfect for Columbia’s solo.
Song: “Sweet Transvestite”
Who should sing it: Puck (Mark Salling)
Why: We’ve seen Finn finally stand up for New Directions by donning head-to-toe Lady Gaga drag; now it’s time for McKinley High’s other resident jock to don some drag and gay it up. Puck is a total rock star in his head, which is why he’d be perfect for this ego-driven song of pure attitude. Because as super-queeny as Dr. Frank N. Furter is, he’s also a totally badass maniac, and Puck would not only rock this song, but he’d look damn good doing it. He’s totally the sort of character who would do this as a “look how confident in my sexuality I am” kind of thing – like he’s the only straight guy cool enough to get away with it. Which he is. (Because Finn would just look super-gay.) I don’t know that Glee would want to put their hottest male character (aside from the yummy Mr. Schue) into such a dragtastic role – I only know that if they choose someone else to do it, I won’t be satisfied.
Song: “I Can Make You a Man”
Who should sing it: Sue Sylvester (Jane Lynch)
Why: Should Sue Sylvester not have an entire song dedicated to what a weeny Will Schuester is? I’d love to see Sue take on the challenge to whip Mr. Schue (or any other character) into Cheerio-standard shape, using this song as her get-pumped anthem. Jane Lynch would be as hilarious imitating Tim Curry as she was imitating Madonna in the “Vogue” video, and she could slip in all sorts of jokes about his hair. After all, even if she’s going to stand up for Glee club, she will still forever be Will’s rival, and we love her for that.
Song: “Hot Patootie”
Who should sing it: Finn (Cory Monteith)
Why: The perfect combination of cheese and rock, this song was made for Finn. He’d be strong on the high rock vocals, and the song is right in his territory – loud and fun, but theatrical as well. Plus, Meatloaf is one rock legend Finn has yet to conquer on the show, so it’ll be interesting to see how he handles it.
Song: “Touch-a Touch-a Touch-a Touch Me”
Who should sing it: Rachel (Lea Michele)
Why: Nobody can over-emote like a stage actress, so only Lea Michele can bring to “Touch-a” the over-the-top campiness that it deserves. Not to mention it’d be the perfect song for Rachel to lose her virginity to – a song about an uptight priss wanting to be bad and give it up? It’s the “You’re the One that I Want” from Grease all over again – the good girl gone bad. Lea would destroy the high notes while keeping the princess-gone-wild attitude strong. I can’t see the Glee producers denying this chance for Rachel Berry to diva out and go crazy.
Song: “Rose Tint My World/Floor Show”
Who should sing it: April Rhodes (Kristen Chenoweth) as Columbia, Finn as Rocky, Kurt as Brad, Rachel as Janet
Why: I see no possible way that the producers would allow this to happen, but it would be beyond perfect. I know they’re bringing both Kristen Chenoweth and Idina Menzel back next season for more guest appearances, and I’d love to hear Cheno do her squeaky little-girl voice for Columbia’s solo. Finn as Rocky is easy – they’re both dumb as hell and can’t dance for shit – and Rachel the ingenue is of course Janet. But Kurt in fishnets and heels, writhing on the floor with a feather boa, playing Brad even gayer than Barry Bostwick played him, would make television history.
Song: “Wild & Untamed Thing”
Who should sing it: Mr. Schue (Matt Morrison)
Why: Who better than the fearless leader of New Directions to lead the most upbeat, frantic, dance-crazy song in Rocky Horror? He’d be able to fit it into some schmaltzy lesson that uses words like “freedom” and “expression” and “passion” and some other crap that fits in with Mr. Schue’s character perfectly. And of course, Matt Morrison would get to show off his impressive dance moves, and this song would also be a great way to feature some of the show’s best dancers, like Brittany and Mike Chang (Harry Shum), better known as “Other Asian.”
Song: “Don’t Dream It, Be It”
Who should sing it: Kurt
Why: A gay anthem if there ever was one, “Don’t Dream It, Be It” is not only a celebration of self-awareness, but a ridiculously flaming, over-the-top, Liza Minelli-style ballad with meaningful (if repetitive) lyrics. Its message is not as simple as “be who you are” – instead, you should drape yourself in feathers and be the person (or transvestite alien) of your dreams. And who better than Kurt to give us that message?
Thoughts? Feelings? Leave your comments, as always. And don’t forget to follow me on twitter @democracydiva!