No surprise here – in a week full of tans and taupes and creams and whites, two collections stood out from the crowd: Oscar de la Renta and Marchesa. I highly suggest you check out the full collections and weep over all the unattainable beauty for yourselves.
Oscar de la Renta
Too many designers took “spring” to mean droopy, dreary, washed-out clothes that lacked color or personality. Not Oscar. He emphasized the vibrancy of spring in his color palette and was unafraid to emphasize the woman’s body in his silhouettes. His tweed suits and dresses were very Coco Chanel, and the entire collection felt like a more modern, more luxurious version of the Mad Men. It may not have been the most innovative or forward-thinking of collections, but we love Oscar for taking what’s classic and making it feel new again, and that’s exactly what he did.
Marchesa designer Georgina Chapman knows drama. Her collections don’t change drastically from season to season, but somehow every voluminous dress looks newer, more spectacular, and more gravity-defying than the last. They’re far from wearable – I mean, can you imagine sitting down in that blue gown? – but you can see the detail and creativity that goes into each piece. And although I’ve seen Marchesa and other designers do those intricate cut-out designs before, they never cease to amaze me.
Up next on the blog: The 10 best and 10 worst looks of New York Fashion Week! Stay tuned and stay updated @democracydiva.