Let’s talk about Georges.
Unfinished, but Fabulous
Easily the most likeable, the most wearable, and therefore the most boring piece in Georges Hobeika’s fascinating and often inspiring haute couture collection. Not that this would qualify as boring under normal circumstances; it’s still high fashion and gorgeous, but it’s certainly nothing new. The tissue-paper draped blouse has been done in countless ways (but I give Hobeika credit for making it more beautiful than most). And the skirt is gorgeous and gives off a fabulous Middle Eastern feel (Hobeika is, after all, Lebanese). But take a look at the next few photos and you’ll see how much more he is capable of.
I want to punch that model in the face for walking with such an unattractive hunch – you’re a fucking runway model, for God’s sake, it’s your JOB to stand up straight, keep your shoulders back, and live on a diet of cigarettes and cocaine. But that ruffled sunflower piece is simply majestic. I just wish the dress either ended there, because it feels like Hobeika was so caught up in the impeccable creation of the top half of the garment that he simply gave up on the bottom. The skirt just sort of hangs there lifelessly, making an otherwise complex and beautiful gown look sloppy and unfinished. Unfortunately, this was a mistake he repeated.
Same exact concept, same exact mistake. Another beautiful incarnation of a unique design element, but the look is nearly ruined by the wrinkled mess south of her hips. I hate the way it drapes around the front of her legs like sweatpants, and the train seems like an afterthought. But I do applaud the red lips and nails; they certainly pop against that soft silver.
This is what I love to see on the runway (though I think the front of the skirt isn’t laying as well as it could). I love this sort of gown because it still feels wearable – it feels like a real cocktail dress, not some cracked-out avant-garde version of what might once have been considered clothing. But it’s so obviously new and fresh, the beading is gorgeous, the colors are fabulous, and those shoes are to die for.
Couture in a nutshell, this is by far my favorite piece in the collection. The bottom feels like strawberry shortcake, or an artist’s studio in the Village; the shape of the skirt feels like Victorian England; and the ruffles are astounding in shape and volume. As close to perfect as couture gets.
Stunning but Derivative
Like everything else in George Chakra’s collection, this dress is impeccably made, red-carpet ready, stunning to look at, and a total has-been. This dress has been seen on Hollywood’s most glamorous as long as Hollywood has existed. We all know that this is a recipe that works – but without a modern twist (and the gloves are not enough), this is just old news.
I understand that fashion is, by its very nature, derivative. Designers are inspired by what came before them. The fashion of the 30s becomes the fashion of the 50s becomes the fashion of the 80s, trends repeat, old tricks are revived and reused. But I think viewers of haute couture collections should still be allowed to expect some originality, some innovation. I know I’m being unreasonably hard on Chakra; all designers have pieces whose influences are easily recognizable. In every collection I’ve posted about on this blog, there’s been looks inspired by, or nearly copied from, other designers. But I’m giving Chakra such a hard time because 1) there are just so many copycat dresses and 2) this is Paris haute couture, and dammit, we deserve better.
Didn’t we see that giant collar on basically every episode of the 4th season of Project Runway? I’m pretty sure that collar is the go-to piece for every designer trying to be couture or avant-garde. And that’s acceptable when you’re in a design competition reality show, but not so much in an haute couture collection in Paris. (But, I concede, I absolutely love those colors together.)
One of the more original looks of the collection, though between the white and champagne frilliness, the red bow, and the blue shoes, I can’t see anyone wearing this outside the holiday season. You can still sense a sort of Marchesa-meets-McQueen feel to it, but it seems more original and inspired than the others. But that may be because this model is basically wearing a crinoline taco.
Stay tuned for tonight’s Diva’s Choice! Another piece of utter delicious fashion is on its way.
2 responses to A Little More Couture
the strawberry shortcut dress has sine waves going across the chest (matt would completely agree with me)
[…] This was one of my favorite dresses from Georges Hobeika’s Fall 2010 couture collection, but this is SO CLEARLY one of those dresses that a) only looks good on the runway b) cannot possibly look anything other than terrifying on a woman with a B cup or larger. I know Katy loves to show off the twins, and I can more than see why, but come ON. That’s got to be illegal in some states. Whitney Port […]