It’s the most wonderful time of the year.
EMMA STONE at the La La Land premiere
gown by Atelier Versace, shoes by Jimmy Choo
First, a love letter to the Venice Film Festival: You’re the best. After the wasteland void of interesting fashion that was the VMAs, we earned some real red carpet goodness, and you brought it, as you always do. Venice is second only to Cannes on my list of favorite fashion events of the year. (The heyday of the Met Gala beats them both, but that’s been a little disappointing in recent years.) Thank you for being a friend, Venice Film Festival. Now, onto our queen:
Just a sparkly, artfully-shredded gown in an impossibly beautiful color and flattering silhouette would have been enough. But I think the (minimal) styling is the thing that pushes this into OH MY GOD I CAN’T STOP STARING IT’S SO PRETTY territory. Her brows have never looked better, the eye makeup pops perfectly with her dress, and the shoes were the perfect thing to pair with a skirt that already has a lot of shit going on. The piece de resistance: the world’s most elegant brass knuckles.
EMMA STONE at the La La Land photocall
dress by Giambattista Valli, shoes by Jimmy Choo
Obsessed with the dress; not sure if the shoes make any sense at all.
EMMA STONE in Venice
dress by Peter Pilotto, shoes by Jimmy Choo
This is the only thing anyone should be walking around Venice in. Assuming they can walk in heels. Also, I need burgundy shoes in my life right meow.
EMMA STONE at the La La Land after-party
dress by Atelier Versace, shoes by Jimmy Choo
It’s a little stupid, but she’s got so much charm she makes it endearing. Also, Emma, you get one more chance to wear those shoes during this festival. Then I’m cutting you off.
EMMA STONE arriving in Venice
dress by Chanel, shoes by Mansur Gavriel
And this is the magic of Emma Stone. Sure, she’ll wear Chanel on an airplane, but you bet your ass it’s going to be cozy and she sure as hell ain’t wearing heels with it. Praise you, Emma. You are all of us. Except you get to wear Chanel.
ALICIA VIKANDER at the The Light Between Oceans premiere
gown by Louis Vuitton
Sometimes Alicia’s love for Louis Vuitton blinds her to how goddamn awkward some of those looks are. But I think this is a happy medium of Victorian weirdness and modern red carpet realness. Her general poise sells everything she wears much better than most mere mortals can, but I think this dress is strange in a good way, rather than being ugly for the sake of ugliness.
ALICIA VIKANDER at the The Light Between Oceans photocall
dress by Prabal Gurung, shoes by Mansur Gavriel
To all the stars who said “fuck you” to wearing stilettos to daytime events: a nation of lazy women stand with you. For hours and hours we’ll stand, because we can, because we’re not wearing fucking stilettos.
DAKOTA FANNING at the Brimstone premiere
gown by Miu Miu
I’ll keep drooling over this gown and pretend that whatever’s happening on top of Dakota’s head does not exist.
DAKOTA FANNING at a Miu Miu event
dress and shoes by Miu Miu
Adorable. And if you harbored any doubts that the 90s weren’t back in a big way, those cranberry velvet platforms would prove you wrong. (Cranberry Velvet Platforms is now the name of my 90s cover band.)
DAKOTA FANNING in Venice
I have a well-documented history of loathing flatforms, but I think if there’s any place where these things work, it’s with this dress, on this girl.
AMY ADAMS at the Arrival premiere
gown by Atelier Versace
Gorgeous. Her hair looks like it’s made of liquid rose gold.
AMY ADAMS at the Nocturnal Animals premiere
gown by Tom Ford
Not mind-blowingly new and interesting, but, it’s Amy Adams. Expecting her to veer too far from tradition is just unrealistic.
AMY ADAMS arriving in Venice
dress by Emilio Pucci
Another dress that will go in my imaginary Venice trip shopping cart.
AMY ADAMS at the Nocturnal Animals photocall
blazer, dress, and shoes by Tom Ford
I don’t dislike it, it’s just so strangely businesslike this event. If I can wear it to work, what’s it doing at a daytime photocall in Venice?
AMY ADAMS at the Arrival photocall
dress by Fendi, shoes by Christian Louboutin
Great colors, terrible proportions. And the black trim cheapens it.
gown by Philosophy di Lorenzo Serafini
Well, duh. She’s a model on a beach in a pretty dress. Somebody has to fuck up really badly to make that look anything less than wonderful.
BARBARA PALVIN at the La La Land premiere
gown by Philosophy di Lorenzo Serafini
The tiered mermaid skirt makes me cringe, and the ruffly collar might be even worse. Who decided this was acceptable?
GEMMA ARTERTON at the La La Land premiere
This feels like the only thing anyone wore on the red carpet in 2003, and that’s not a compliment.
GEMMA ARTERTON at the Miu Miu dinner
gown by Prada
The shape feels weirdly childish, and none of the styling choices were good ones.
GEMMA ARTERTON at the jury photocall
GEMMA ARTERTON at the opening reception
dress by Sonia Rykiel
Fire the person who paired that belt with this dress. Better yet, punch them in the face.
EVA HERZIGOVA at the Nocturnal Animals premiere
gown by Alberta Ferretti
That’s just a swimsuit under a tablecloth. You cannot convince me otherwise.
NAOMI WATTS at the Bleeders premiere
dress by Roksanda, shoes by Nicholas Kirkwood
Who did this to you, Naomi? You’ll never not be beautiful, but you somehow ended up in hair, makeup, a dress, AND shoes that don’t work for you. And all in different ways. I’d be impressed if I weren’t trying to figure out where your knees actually fall.
NAOMI WATTS at the AMBI dinner
Cute dress, wrong shoes.
JUNO TEMPLE at the Miu Miu dinner
dress by Miu Miu
She’s the person at the Halloween party I’m least interested in talking to.
One response to 2016 Venice Film Festival, Part 1
This white dress…I don’t get it…how can you make a model look fat?